THE AGREEABLE AESTHETIC – BEAUTY AND FORMALISM
SOCIAL SIGNIFICANCE OF THE HUMAN HAND
A LINGUISTIC STRUCTURAL THEORY OF COLOUR
THE VISUAL POWER OF MONTAGE IN FILM AS LANGUAGE
LANGUAGE STRUCTURE AND THE ARTS
ARTISTIC CONVENTION OR SENSITIVITY: WHAT SORT OF ARTIST ARE YOU?
DOES THE PUBLIC HAVE GOOD TASTE?
THE BEAUTIFUL AND THE PLEASURABLE
FROM WHERE DOES ART ORIGINATE?