BITE SIZE

THE AGREEABLE AESTHETIC – BEAUTY AND FORMALISM

AN ACCIDENTAL KANDINSKY?

SOCIAL SIGNIFICANCE OF THE HUMAN HAND

A LINGUISTIC STRUCTURAL THEORY OF COLOUR

FORMAL ELEMENTS OF PAINTING

A NEW QUESTION ABOUT COLOUR

WHAT DOES COLOUR SOUND LIKE

THE ACTORS AND ACTANTS IN ART

A HISTORY OF ABSTRACT ART

THE FELINE

I WANT TO BE A MACHINE

THE VISUAL POWER OF MONTAGE IN FILM AS LANGUAGE

ART AS A SIGNIFYING SYSTEM

LANGUAGE STRUCTURE AND THE ARTS

ARTISTIC CONVENTION OR SENSITIVITY: WHAT SORT OF ARTIST ARE YOU?

ICONOGRAPHY OF GREEK RELIEFS

DOES THE PUBLIC HAVE GOOD TASTE?

THE BEAUTIFUL AND THE PLEASURABLE

FROM WHERE DOES ART ORIGINATE?

LINE

WHO IS THE GREATEST ARTIST OF OUR TIME, GEORGE LUCAS?

FREED FROM THE EASEL

DONATELLO